The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind of merely removing criticism from the dominating place it holds in most literary magazines. I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good. — William Styron William Clark Styron Letters and Essays One morning, almost fifteen years ago, I woke up from a dream that was so vivid and powerful that I knew it must be true. I still remember both what happened in the dream and the feelings it left me with. Now the fact is that listening to someone else’s dreams is nearly always tiresome; usually, if it goes on for more than a few seconds, unbearable. Dreams in literature are monstrosities: whenever I come across one, it takes a lot for me not to flip past it or shut the book altogether. It tells me that the writer has failed to understa...
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