“If life is a movie most people would consider themselves the star of
their own feature. Guys might imagine they're living some action
adventure epic. Chicks maybe are in a rose-colored fantasy romance. And
homosexuals are living la vida loca in a fabulous musical. Still others
may take the indie approach and think of themselves as an anti-hero in a
coming of age flick. Or a retro badass in an exploitation B movie. Or
the cable man in a very steamy adult picture. Some people's lives are
experimental student art films that don't make any sense. Some are
screwball comedies. Others resemble a documentary, all serious and
educational. A few lives achieve blockbuster status and are hailed as a
tribute to the human spirit. Some gain a small following and enjoy cult
status. And some never got off the ground due to insufficient funding. I
don't know what my life is but I do know that I'm constantly squabbling
with the director over creative control, throwing prima donna tantrums
and pouting in my personal trailor when things don't go my way.
Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?” ― Tatsuya Ishida, 'Very little is known' about TI.
Is your favorite author a member of Goodreads? If not, please invite them to join! Goodreads' Author Outreach Project is an organized community effort to invite exciting authors to join Goodreads. For example, if Stephenie Meyer or J.K. Rowling got thousands of emails asking them to join, maybe they would!
He is the master of suspense, and has been hailed as the greatest director of all time. A look back at the life and career of Alfred Hitchcock. — Courtesy of WatchMoJo.
Hitchcock's success earned him both followers and critics. Some of his critics argued his films lacked substance but his admirers argued that the truth was the opposite and instead Hitchcock was 'an all-round specialist'.
Hitchcock's style was one of meticulous planning, from which it is reported that he never improvised or deviated. He also adhered to his own maxim on the value of suspense over shock. Every director of a suspenser seeks the tag 'Hitchcockian'.
Alfred Hitchcock BIO— Courtesy of Lifetime.
1962 – Two of the greatest minds in cinema sat down for a historic conversation. HITCHCOCK/TRUFFAUT invites you to sit down at the table as François Truffaut’s intimate and expansive interview with Alfred Hitchcock unfolds. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema.
'The Greatest Story Hitchcock Every Told' Hitchcock/Truffaut will receive its world premiere at Cannes on May 19, 2015! Original Post by Gary Collinson.
“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.” ― Alfred Hitchcock, The Master of Suspense!
“A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive… I can’t bear quarreling, I can’t bear feelings between people — I think hatred is wasted energy, and it’s all non-productive. I’m very sensitive — a sharp word, said by a person, say, who has a temper, if they’re close to me, hurts me for days. I know we’re only human, we do go in for these various emotions, call them negative emotions, but when all these are removed and you can look forward and the road is clear ahead, and now you’re going to create something — I think that’s as happy as I’ll ever want to be.”
― Alfred Hitchcock.
One of the key figures in the development of the modern Hollywood soundtrack, “Benny” Herrmann’s career spanned from Orson Welles’ “Citizen Kane” to Martin Scorsese’s “Taxi Driver,” with a lot of Alfred Hitchcock in between.
TheReview Accommodates Many Voices: Relive the suspense of ''Psycho," "Vertigo" and other Hollywood film scores of Bernard Herrmann, as examined by "City Lights" contributor Scott Stewart and host Lois Reitzes
Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?” ― Tatsuya Ishida, 'Very little is known' about TI.
Is your favorite author a member of Goodreads? If not, please invite them to join! Goodreads' Author Outreach Project is an organized community effort to invite exciting authors to join Goodreads. For example, if Stephenie Meyer or J.K. Rowling got thousands of emails asking them to join, maybe they would!
He is the master of suspense, and has been hailed as the greatest director of all time. A look back at the life and career of Alfred Hitchcock. — Courtesy of WatchMoJo.
Hitchcock's success earned him both followers and critics. Some of his critics argued his films lacked substance but his admirers argued that the truth was the opposite and instead Hitchcock was 'an all-round specialist'.
Hitchcock's style was one of meticulous planning, from which it is reported that he never improvised or deviated. He also adhered to his own maxim on the value of suspense over shock. Every director of a suspenser seeks the tag 'Hitchcockian'.
Alfred Hitchcock BIO— Courtesy of Lifetime.
1962 – Two of the greatest minds in cinema sat down for a historic conversation. HITCHCOCK/TRUFFAUT invites you to sit down at the table as François Truffaut’s intimate and expansive interview with Alfred Hitchcock unfolds. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema.
'The Greatest Story Hitchcock Every Told' Hitchcock/Truffaut will receive its world premiere at Cannes on May 19, 2015! Original Post by Gary Collinson.
“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.” ― Alfred Hitchcock, The Master of Suspense!
“A clear horizon — nothing to worry about on your plate, only things that are creative and not destructive… I can’t bear quarreling, I can’t bear feelings between people — I think hatred is wasted energy, and it’s all non-productive. I’m very sensitive — a sharp word, said by a person, say, who has a temper, if they’re close to me, hurts me for days. I know we’re only human, we do go in for these various emotions, call them negative emotions, but when all these are removed and you can look forward and the road is clear ahead, and now you’re going to create something — I think that’s as happy as I’ll ever want to be.”
― Alfred Hitchcock.
One of the key figures in the development of the modern Hollywood soundtrack, “Benny” Herrmann’s career spanned from Orson Welles’ “Citizen Kane” to Martin Scorsese’s “Taxi Driver,” with a lot of Alfred Hitchcock in between.
TheReview Accommodates Many Voices: Relive the suspense of ''Psycho," "Vertigo" and other Hollywood film scores of Bernard Herrmann, as examined by "City Lights" contributor Scott Stewart and host Lois Reitzes
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